Viewers during my 2nd solo exhibition Beyond Synergy 2010. I curated this exhibition for the whole duration of the 2010 National Arts Festival. The public was captured by the energy projected by the artworks.
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Thursday, November 15, 2012
Wednesday, November 14, 2012
Artisti Explorations an interveiw with cueTV during the 2010 National Arts Festival held annualy Grahamstowm, Earten Cape. Beyond Synergy is a body of work reflects a visual language that explores the notions of the relationship between things in existence, things working together to create harmony in society and how universal objects co-exist in respect of one another. This exhibition offers a “breaking boundaries” view of synergy on this earth through a technique of contracts, silhouettes, textured surfaces combined with oil painting.
The exhibition was funded by ECPACC and hosted at the Albany Museum.
Poster Portfolio and Giggz
Here is a portfolio of posters I designed for hip hop events Couchlock organized in collaboration with RODH, Village Boy and The Movement. These hip hop events are normally hosted in open spaces and the public is normally invited to share their creativity. Atmosphere is always soul fool and spiritually uplifting. Unsigned artists get platforms to share, link and build on collaborations with other artists. Hip Hop, POetry, Graffiti painting, DJ and Break dancing, all elements of hip hop are explored, lived and embraced. We have relied in funding to make these projects a success.
Saturday, January 23, 2010
Art Exhibition 20 June- 04July 2010 National Arts Festival
An exhibition by East London artist Zingisa Nkosinkulu will be featuring in the National Art Festival held annually in Grahamstown.
This body of work reflects a personal preoccupation with boundaries within the society of Mdantsane.
The electric power lines have been explored as a metaphor for psychological boundaries; those who have and those who have no electricity are the major subjects.
Nkosinkulu incorporates new technique of mixing cement with wood glue and burn the canvas with a blow torch to create textured surfaces. Torn pieces of maps of Mdantsane are being collaged and various strings have been burnt on top of waxed surfaces.
These processes are complimented with oils and form a body of work that is worth seeing.
This body of work reflects a personal preoccupation with boundaries within the society of Mdantsane.
The electric power lines have been explored as a metaphor for psychological boundaries; those who have and those who have no electricity are the major subjects.
Nkosinkulu incorporates new technique of mixing cement with wood glue and burn the canvas with a blow torch to create textured surfaces. Torn pieces of maps of Mdantsane are being collaged and various strings have been burnt on top of waxed surfaces.
These processes are complimented with oils and form a body of work that is worth seeing.
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